Petra Feriancová

Nel 2013, il suo progetto “Still the same place”, è stato selezionato per rappresentare il padiglione ceco e slovacco (insieme a Zbyněk Baladrán) ai Giardini della 55esima Biennale di Venezia (a cura di Marek Pokorný).

Le sue recenti mostre personali includono:

Her responsive body and other stories, curata daTiago de Abreu Pinto e Davide Silvioli, Palazzo Collicola, Spoleto (2023-24)

DISTRACTION/ÉLAN/VITAL/ECHO/ALPHA, Gilda Lavia, Roma

PORIFERA II, Tranzit.sk, Bratislava, curata da Judit Angel (2022)

ISOLITUDINE, ZACentrale, Palermo, parte del Festival BAM – Biennale Arcipelago Mediterraneo, Fondazione Merz curata da Valentina Bruschi (2022)

Seclusion II, Aquapetra, Telese, Benevento, IT (2021)

DOMAIN:SEA, Zahorian Van Espen, Bratislava, Slovacchia (2021)

Artissima  (Gilda Lavia)

COMPLICITY IN MAKING,  con Marko Tadic, curata da Branka Bencic, Synagogue, Trnava (2021)

PHYLUM: PORIFERA, Zahorian Van Espen, Praga (2021)

BREEDER: KINGDOM AVES, Július Koller Society, Bratislava, Slovacchia (2021)

CUM NATURA, 5a edizione di Hydrozoa, Centraleuropean gallery, Banská Bystrica, Slovacchia;

SHE WAS UNAWARE OF HER BORDERS. / EGO IN HABITATBačva Gallery, HDLU, Zagabria, Croazia;

FABVLAE, Villa d'Este e Santuario di Ercole Vincitore, Tivoli (2020);

Lebenswelt, Significant Other, Vienna, Austria (2019);

Klaviatura, Viltin Gallery, Budapest, Ungheria (2019);

personale, galleria Gilda Lavia, Roma (2018);

I Am Losing My Beauty Together With My Interest in Beautiful Things, Baril, Cluj, Romania (2018);

Becoming Animal, Tenderpixel, Londra (2018);

Petra Feriancova: “Systems, Individuals and Measuring Tools” presso Bòlit Centre d'Art Contemporani Girona, Spagna (2016);

An Exhibition on Doubt, MAN_Museo d'Arte Provincia di Nuoro, Italia (2016);

Vulnerable Yet Everlasting (Archivio di Květa Fulierová), Off Biennale, Budapest, Ungheria (2015);

Things That Happen and Things That are Done. On Beginnings and Matter, Fondazione Morra Greco Napoli, Italia (2014);

Birds, myths and tusks, Frames, Frieze London, Londra, Inghilterra (2013);

The Intrigues of the Gods are Behind everything Vojtech Loffler's Museum, Košice, Slovacchia (2013);

A Study of the Secondar  Plan, The House of Arts, Brno, Repubblica Ceca (2012);

Weikendorf, Kunstraum Weikendorf, Weikendorf, Publicart, Austria (2012);

Postscriptum to Childe Harold's Pilgrimage, Slovak National Gallery, Bratislava, Slovacchia (2011);

Theory of a city or the possibilities of an A4, International Studio & Curatorial Program ISCP, New York, Stati Uniti (2011).

La selezione di mostre collettive recenti include:

Blind Spot insieme con Jaroslav Kyša presso la Fondazione Morra Greco di Napoli (2023)

Keep On Movin’, Stories from Collection Morra Greco, Fondazione Morra Greco, Palazzo Caracciolo di Avellino Napoli IT curata da Giulia Pollicita (2022)

ISOLITUDINE, ZACentrale, Palermo, parte del Festival BAM – Biennale Arcipelago Mediterraneo, Fondazione Merz curata da Valentina Bruschi (2022)

How To Deal With The World, Wilhelm Hallen, Berlin, DE (Deutche Telekom Collection) (2022)

Do Animals go to Heaven? Chiesa del Purgatorio, Matera, IT (Collezione Agovino) (2022)

Rock, Paper, Scissors. Elizabeth Xi Bauer, London UK, curata da Maria do Carmo M. P. de Pontes (2022)

The Time Has Come to Talk of Many Things…from the Art Collection Telekom, The National gallery, Sofia BL, curata da Martina Yordanova & Boryana Valchanova (2021)

Complicity in Making, with Marko Tadic curata da Branka Bencic, Trnava Synagogue (2021)

The hole is Less than the Sum of its Parts., con Peter Bartoš & Andreas Fogarasi, Martin Hrvol, Anna Jermolaewa, Ingeborg Strobl, Louis Weinberger, GMB, Bratislava, curata da Mira Keratová (2021)

Novotvar 2021, GMB, Bratislava, Slovacchia (2021)

Inventory of Forgotten Knowledge, Budapest Galéria, Ungheria, curata da Nikolett Eros, Flóra Gadó (2021)

Female Objectivity, a Perspective of Marvai Collection, Castello di Villanterio, (IT) (2021)

Keeping In Balance, Works from Art Collection Telekom, Ludwig Museum, Budapest, Ungheria (2020);

Straperetana, Produttori di silenzio, Pereto, Italia (2020);

Ecologies of the Ghost Landscape/The Word for World is Forest. Tranzit.sk, Bratislava, Slovacchia (2020);

History repeats History, Fondazione Zimei, Pescara, Italia (2020);

The Milky Way, per la Fondazione Pianoterra Onlus, Galleria Franco Noero, Torino (2019):

30 years after. Art Collection Telekom. As part of the Rencontres de la Photographie. Carré d'art contemperain, Musée d'art contemporain de Nimes, Francia (2019);

Výťah-Elevator, Temporary Parapet, Bratislava, Slovacchia (2019);

LISTEN TO US – ARTISTIC INTELLIGENCE, Works of Deutsche Telekom Collection, Plovdiv, Bulgaria (2019);

Sonda, Tendencies in Conceptual and Post Conceptual Art in SK and CZ, GHMP, Praga, Cecoslovacchia; (2018); 

10, Viltin Gallery, Budapest, Ungheria (2018);

I Made A Line, SODA gallery, Bratislava, Slovacchia (2018);

Useful Photography, Slovak National Gallery, Bratislava, Slovacchia (2018);

ZOO of Peter Bartoš, curata con Borbala Soós per DAMA, Torino (2018);

(A.) ORALITY; OR, A GENERAL ASSEMBLY ON DELAY, For Květa Fulierová, Jan Kaps Gallery, Colonia (2018);

I Am the Mouth. Works from Central and Eastern European Artists from Art Collection Telekom. Museum of Contemporary Art di Zagabfria, Croatia (2018);

Utopian Display: Props and Tools, FM Centro per l'arte contemporanea, Milano (2017);

Pompei @ Madre, Materia archeologica, 19.11.17 — 30.04.18, MADRE, Napoli (2017);

Revolving Truth, Symposium, Królikarnia / National Museum di Varsavia, Polonia (2017);

Temporary Encounters - Galerija Galzenica, Galerija Apoteka v Galežnici, Velika Gorica Zagabria, Croazia (2017);

PÓŁPRAWDA | HALF–TRUTH Works by Central and Eastern European Contemporary Artists from Art Collection Telekom, Królikarnia / National Museum in Varsavia, Polonia, (2017);

Mushrooms on the Ruins, Nogueras Blanchard, Madrid, Spagna (2017);

Július Koller Symposium, MUMOK, Vienna, Austria (2017);

Playgrounds, Garage Museum, Mosca, Russia (2016);

Sitting Together, Tranzit.sk, Bratislava, Slovacchia (2016);

The Infinite Lawn, Tenderpixel, Londra, Inghilterra (2015);

The Soft Codes. Conceptual Tendencies in Slovak art. Contemporary Museum, Wroclaw, Polonia (2015);

Fragile Sense of Hope, ACT Art Collection, Me-Collectors Room, Berlino, Germania (2014);

Fieldwork, Habitat in Contemporary Art, Lewis Glucksman Gallery, Cork, Irlanda (2014);

Object and Environment, Galerie Guido Baudach, Berlino, Germania (2014);

Empty Pedestal, Fantasmi del'Est Europa, Museo Civico Archeologico, Bologna, Italia (2014)


Tra le altre, le opere di Petra Feriancova fanno parte delle seguenti collezioni pubbliche e private: European Investment Bank EIB Luxembourg, Art Collection Telekom, AGI Verona, Fondazione Morra Greco.