Petra Feriancová

Nel 2013, il suo progetto “Still the same place”, è stato selezionato per rappresentare il padiglione ceco e slovacco (insieme a Zbyněk Baladrán) ai Giardini della 55esima Biennale di Venezia (a cura di Marek Pokorný).

Le sue recenti mostre personali includono:

CUM NATURA, 5a edizione di Hydrozoa, Centraleuropean gallery, Banská Bystrica, Slovacchia;

SHE WAS UNAWARE OF HER BORDERS. / EGO IN HABITATBačva Gallery, HDLU, Zagabria, Croazia;

FABVLAE, Villa d'Este e Santuario di Ercole Vincitore, Tivoli (2020);

Lebenswelt, Significant Other, Vienna, Austria (2019);

Klaviatura, Viltin Gallery, Budapest, Ungheria (2019);

personale, galleria Gilda Lavia, Roma (2018);

I Am Losing My Beauty Together With My Interest in Beautiful Things, Baril, Cluj, Romania (2018);

Becoming Animal, Tenderpixel, Londra (2018);

Petra Feriancova: “Systems, Individuals and Measuring Tools” presso Bòlit Centre d'Art Contemporani Girona, Spagna (2016);

An Exhibition on Doubt, MAN_Museo d'Arte Provincia di Nuoro, Italia (2016);

Vulnerable Yet Everlasting (Archivio di Květa Fulierová), Off Biennale, Budapest, Ungheria (2015);

Things That Happen and Things That are Done. On Beginnings and Matter, Fondazione Morra Greco Napoli, Italia (2014);

Birds, myths and tusks, Frames, Frieze London, Londra, Inghilterra (2013);

The Intrigues of the Gods are Behind everything Vojtech Loffler's Museum, Košice, Slovacchia (2013);

A Study of the Secondar  Plan, The House of Arts, Brno, Repubblica Ceca (2012);

Weikendorf, Kunstraum Weikendorf, Weikendorf, Publicart, Austria (2012);

Postscriptum to Childe Harold's Pilgrimage, Slovak National Gallery, Bratislava, Slovacchia (2011);

Theory of a city or the possibilities of an A4, International Studio & Curatorial Program ISCP, New York, Stati Uniti (2011).

La selezione di mostre collettive recenti include:

Keeping In Balance, Works from Art Collection Telekom, Ludwig Museum, Budapest, Ungheria (2020);

Straperetana, Produttori di silenzio, Pereto, Italia (2020);

Ecologies of the Ghost Landscape/The Word for World is Forest. Tranzit.sk, Bratislava, Slovacchia (2020);

History repeats History, Fondazione Zimei, Pescara, Italia (2020);

The Milky Way, per la Fondazione Pianoterra Onlus, Galleria Franco Noero, Torino (2019):

30 years after. Art Collection Telekom. As part of the Rencontres de la Photographie. Carré d'art contemperain, Musée d'art contemporain de Nimes, Francia (2019);

Výťah-Elevator, Temporary Parapet, Bratislava, Slovacchia (2019);

LISTEN TO US – ARTISTIC INTELLIGENCE, Works of Deutsche Telekom Collection, Plovdiv, Bulgaria (2019);

Sonda, Tendencies in Conceptual and Post Conceptual Art in SK and CZ, GHMP, Praga, Cecoslovacchia; (2018); 

10, Viltin Gallery, Budapest, Ungheria (2018);

I Made A Line, SODA gallery, Bratislava, Slovacchia (2018);

Useful Photography, Slovak National Gallery, Bratislava, Slovacchia (2018);

ZOO of Peter Bartoš, curata con Borbala Soós per DAMA, Torino (2018);

(A.) ORALITY; OR, A GENERAL ASSEMBLY ON DELAY, For Květa Fulierová, Jan Kaps Gallery, Colonia (2018);

I Am the Mouth. Works from Central and Eastern European Artists from Art Collection Telekom. Museum of Contemporary Art di Zagabfria, Croatia (2018);

Utopian Display: Props and Tools, FM Centro per l'arte contemporanea, Milano (2017);

Pompei @ Madre, Materia archeologica, 19.11.17 — 30.04.18, MADRE, Napoli (2017);

Revolving Truth, Symposium, Królikarnia / National Museum di Varsavia, Polonia (2017);

Temporary Encounters - Galerija Galzenica, Galerija Apoteka v Galežnici, Velika Gorica Zagabria, Croazia (2017);

PÓŁPRAWDA | HALF–TRUTH Works by Central and Eastern European Contemporary Artists from Art Collection Telekom, Królikarnia / National Museum in Varsavia, Polonia, (2017);

Mushrooms on the Ruins, Nogueras Blanchard, Madrid, Spagna (2017);

Július Koller Symposium, MUMOK, Vienna, Austria (2017);

Playgrounds, Garage Museum, Mosca, Russia (2016);

Sitting Together, Tranzit.sk, Bratislava, Slovacchia (2016);

The Infinite Lawn, Tenderpixel, Londra, Inghilterra (2015);

The Soft Codes. Conceptual Tendencies in Slovak art. Contemporary Museum, Wroclaw, Polonia (2015);

Fragile Sense of Hope, ACT Art Collection, Me-Collectors Room, Berlino, Germania (2014);

Fieldwork, Habitat in Contemporary Art, Lewis Glucksman Gallery, Cork, Irlanda (2014);

Object and Environment, Galerie Guido Baudach, Berlino, Germania (2014);

Empty Pedestal, Fantasmi del'Est Europa, Museo Civico Archeologico, Bologna, Italia (2014)


Tra le altre, le opere di Petra Feriancova fanno parte delle seguenti collezioni pubbliche e private: European Investment Bank EIB Luxembourg, Art Collection Telekom, AGI Verona, Fondazione Morra Greco.