Petra Feriancová
In 2013, her project, Still the same place, was selected to represent the Czech and Slovak Pavilion (together with Zbyněk Baladrán) at the Giardini, 55th Venice Biennale, IT (curated by Marek Pokorný).
Her solo recent Exhibitions include:
Her responsive body and other stories, curated by Tiago de Abreu Pinto and Davide Silvioli, Palazzo Collicola, Spoleto (2023-24)
DISTRACTION/ÉLAN/VITAL/ECHO/ALPHA, Gilda Lavia, Rome
PORIFERA II, Tranzit.sk, Bratislava, curated by Judit Angel (2022)
ISOLITUDINE, ZACentrale, Palermo as part of BAM – Biennale Arcipelago Mediterraneo, Fondazione Merz curated by Valentina Bruschi (2022)
Seclusion II, Aquapetra, Telese, Benevento, IT (2021)
DOMAIN:SEA, Zahorian Van Espen, Bratislava, Slovak (2021)
Artissima (for Gilda Lavia)
COMPLICITY IN MAKING, with Marko Tadic, curated by Branka Bencic, Synagogue, Trnava (2021)
PHYLUM: PORIFERA, Zahorian Van Espen, Praga (2021)
BREEDER: KINGDOM AVES, Július Koller Society, Bratislava, Slovak (2021)
CUM NATURA, 5th edition of Hydrozoa, Centraleuropean gallery, Banská Bystrica, SK (2020);
SHE WAS UNAWARE OF HER BORDERS./EGO IN HABITAT, HDLU, Bacva Gallery, Mestrovic Pavilion, Zagreb, Croatia (2020);
FABVLAE, Villa D'Este and Santuario di Ercole Vincitore, Tivoli, IT (2020);
Lebenswelt, Significant Other, Vienna, AT (2019)
Klaviatura, Viltin Gallery, Budapest, HU (2019)
personale, Gilda Lavia Gallery, Roma (2018)
I Am Losing My Beauty Together With My Interest in Beautiful Things, Baril, Cluj, Romania (2018)
Becoming Animal, Tenderpixel, London UK (2018)
Petra Feriancová: Systems, Individuals and Measuring Tools, Bòlit. Centre d'Art Contemporani. Girona, SP(2016);
An Exhibition on Doubt, MAN_Museo d'Arte Provincia di Nuoro, Italy, (2016);
Vulnerable Yet Everlasting (Archive of Květa Fulierová), Off Biennale, Budapest. HU (2015);
Things That Happen and Things That are Done. On Beginnings and Matter. Fondazione Morra Greco Napoli, (2014);
Birds, myths and tusks, Frames, Frieze London, UK (2013);
The Intrigues of the Gods are Behind everything, Vojtech Loffler's Museum, Košice, SK (2013);
A Study of the Secondary Plan, The House Of Arts, Brno, CZ (2012);
Weikendorf, Kunstraum Weikendorf, Weikendorf, Publicart, Austria (2012);
Postscriptum to Childe Harold's Pilgrimage, Slovak National Gallery, Bratislava, SK (2011);
Theory of a city or the possibilities of an A4, International Studio & Curatorial Program ISCP, New York, USA (2011).
Selected recent group exhibitions include:
Blind Spot with the artist Jaroslav Kyša at Fondazione Morra Greco di Napoli (2023)
Keep On Movin’, Stories from Collection Morra Greco, Fondazione Morra Greco, Palazzo Caracciolo di Avellino Naples IT curated byGiulia Pollicita (2022)
ISOLITUDINE, ZACentrale, Palermo, as part of BAM Festival – Biennale Arcipelago Mediterraneo, Fondazione Merz curated by Valentina Bruschi (2022)
How To Deal With The World, Wilhelm Hallen, Berlin, DE (Deutche Telekom Collection) (2022)
Do Animals go to Heaven? Chiesa del Purgatorio, Matera, IT (Agovino Collection) (2022)
Rock, Paper, Scissors. Elizabeth Xi Bauer, London UK, curated by Maria do Carmo M. P. de Pontes (2022)
The Time Has Come to Talk of Many Things…from the Art Collection Telekom, The National gallery, Sofia BL, curated by Martina Yordanova & Boryana Valchanova (2021)
Complicity in Making, with Marko Tadic curated by Branka Bencic, Trnava Synagogue (2021)
The hole is Less than the Sum of its Parts., con Peter Bartoš & Andreas Fogarasi, Martin Hrvol, Anna Jermolaewa, Ingeborg Strobl, Louis Weinberger, GMB, Bratislava, curated by Mira Keratová (2021)
Novotvar 2021, GMB, Bratislava, Slovak (2021)
Inventory of Forgotten Knowledge, Budapest Galéria, UH, curated by Nikolett Eros, Flóra Gadó (2021)
Female Objectivity, a Perspective of Marvai Collection, Castello di Villanterio, (IT) (2021)
Keeping In Balance, Works from Art Collection Telekom, Ludwig Museum, Budapest, HU (2020);
Straperetana, Produttori di silenzio, Pereto, IT (2020);
Ecologies of the Ghost Landscape/The Word for World is Forest. Tranzit.sk, Bratislava, SK (2020);
History repeats History, Fondazione Zimei, Pescara, IT (2020);
The Milky Way for Fondazione Pianoterra Onlus Galleria Franco Noero, Turin, IT (2019);
30 years after. Art Collection Telekom. As part of the Rencontres de la Photographie. Carré d'art contemperain, Musée d'art contemporain de Nimes, France, FR (2019);
Výťah-Elevator, Temporary Parapet, Bratislava, Slovakia, SK (2019);
LISTEN TO US – ARTISTIC INTELLIGENCE, Works of Deutsche Telekom Collection, Plovdiv, Bulgaria (2019);
Sonda, Tendencies in Conceptual and Post Conceptual Art in SK and CZ, GHMP, Prague City Gallery, CZ (2018);
10, Viltin Gallery, Budapest, Hungary, HU (2018);
I Made A Line, SODA gallery, Bratislava, SK (2018);
Useful Photography, Slovak National Gallery, Bratislava, (2018);
ZOO of Peter Bartoš, curating together with Borbala Soós for DAMA, Turin, IT (2018);
(A.) ORALITY; OR, A GENERAL ASSEMBLY ON DELAY, For Květa Fulierová, Jan Kaps Gallery, Cologne, DE, (2018);
I Am the Mouth. Works from Central and Eastern European Artists from Art Collection Telekom. Museum of Contemporary Art Zagreb, CZ (2018);
Utopian Display: Props and Tools, FM Centro per l'arte contemporanea, Milano IT (2018);
Pompei @ Madre, Materia archeologica, 19.11.17 — 30.04.18, MADRE, Napoli IT (2018);
Revolving Truth, Symposium, Królikarnia / National Museum in Warsaw, PL (2018);
Temporary Encounters - Galerija Galzenica, Galerija Apoteka v Galežnici, Velika Gorica Zagreb, HR (2018);
PÓŁPRAWDA | HALF–TRUTH Works by Central and Eastern European Contemporary Artists from Art Collection Telekom, Królikarnia / National Museum in Warsaw, PL (2018);
Mushrooms on the Ruins, Nogueras Blanchard, Madrid, ES (2017);
Július Koller Symposium, MUMOK, Vienna, AU (2017);
Playgrounds, Garage Museum, Moscow, RU (2016);
Sitting Together, Tranzit.sk, Bratislava, SK (2016);
The Infinite Lawn, Tenderpixel, London, UK, (2015);
The Soft Codes. Conceptual Tendencies in Slovak art. Contemporary Museum, Wroclaw. PL (2015);
Fragile Sense of Hope, ACT Art Collection, Me-Collectors Room, Berlin, DE, (2014);
Fieldwork, Habitats in Contemporary Art, Lewis Glucksman Gallery, Cork, IR, (2014);
Object and Environment, Galerie Guido Baudach, Berlin, DE (2014);
Empty Pedestal, Fantasmi del'Est Europa, Museo Civico Archeologico, Bologna, IT, (2014)
Among the others the Works of Petra Feriancova are part of the following public and private collections: European Investment Bank EIB Luxembourg, Art Collection Telekom, AGI Verona, Fondazione Morra Greco.